This post was originally sent through my author newsletter on October 21st, 2022. To subscribe to my newsletter and receive up-to-date news, musings, and more, click HERE.
This week, for the first time in a very, very long time, I started writing something completely new. I opened a blank Scrivener document. I wrote "1" at the top of the first page. And then I stared at the blank screen.
And stared. And stared.
Starting a new book from scratch is a bit daunting. It's hard to know exactly where to begin—and in many cases, writers begin at the wrong spot entirely and end up cutting the first few pages or even chapters down the line. I've heard this referred to as "clearing your throat," a.k.a. getting some stuff out of your system and out of your way before reaching the nitty-gritty of the story. Some level of throat-clearing is necessary, of course. Chances are, you aren't going to write the perfect first line on Day One, so you might as well write forward. It's better to get words on the page than to be paralyzed from the start.
If I were working on something that's entirely for me, this early-drafting phase would be like messing around. Playing in the sandbox. Seeing what feels right.
But, as it turns out, this new thing I'm starting is not entirely for me. It's an audition for a write-for-hire project, a sample chapter that will help the editor and the creator of the project decide whether I'm the right writer to make their vision a reality. So, strangely, a lot more is riding on this first chapter than if I were starting a book of my own. Even if it were to change entirely in edits, it has to be solid enough now to land me the job!
I've auditioned for a write-for-hire gig before, and I've also done some freelance ghostwriting. The previous WFH tryout was back in 2018, and it was for a chapter book series about animals that had various jobs. I wrote a sample about Chef Cheetah and his search for his missing mozzarella. (I think I can talk about this now because, as far as I know, this series never actually became a thing? At least, not in the way it was described to me at the time...) After I'd turned in my sample, I found out that at least one other children's book author in my immediate network had also auditioned for the job. Neither of us got it...and, as I said, I don't know if the series ever saw the light of day.
But! My agent loved what I'd written. She suggested I try my hand at an original chapter book idea. I was into that suggestion—and what resulted was Tally Tuttle Turns into a Turtle. So, while that particular WFH audition was a bust, it did ultimately send my career in a new direction!
On the ghostwriting front, I spent 2019-2021 working with an adult science-fiction writer who self-published a series on Amazon. Some ghostwriting jobs involve writing books from scratch, but in this case, he wrote first-drafts that I then edited and enhanced, in some instances almost doubling the word count. I worked on seven books with him, over three years, and each time he trusted me to fill in more story and characterization. (The first book was already published when I got my hands on it; it hadn't been selling well and he wanted someone to beef it up. By book seven, he was sending me slim chapters one or two at a time, as he wrote them, and I fleshed them out into a full story arc!)
With the ghostwriting gig, my name is not attached to the work. I was hired in a strictly behind-the-scenes role. And that's fine! These books are this guy's thing, and I don't need credit! I was paid for my time and effort.
With writing-for-hire, there are a number of ways in which the writer can be acknowledged and/or credited (or not). You might be working with a celebrity author, and that's whose name will be on the cover. (Yours won't.) Or you might be published under a pseudonym. Or you might be listed as a "with"—i.e. BIG NAME AUTHOR, with Kathryn Holmes. Or you might get to be the actual author, on the cover and title page! Contracts (and fees) will vary.
What matters with writing-for-hire is that the concept and outline/story are someone else's intellectual property. Someone else—a celebrity, a book packager, the publisher—has an idea that they are hiring you to execute. You might have some freedom within that template, but the book is not your baby. Someone else has the final say on what gets sent to print.
A lot of authors do write-for-hire work in addition to publishing their own books, and a lot of books are published each year that you might not know are IP projects! (IP = intellectual property, for those paying attention.) It's not just Star Wars and Marvel novelizations—some books that have original concepts fall into this category, simply because the publisher or a book packager had an idea that they hired a writer to write.
So back to my sample chapter! I can't say what it's for, other than that the client is a nonfiction writer who wants to branch into fiction. I don't know if I'll get the contract, and if I do, whether I'll be able to speak about it publicly. But I wanted to write about it here because WFH is an increasingly large part of the publishing game—and a great way for authors to earn some extra money in between solo deals.
That said, I really do want this—the subject matter and ethos of the project are a great fit for me—so please cross your fingers the client likes what I've done!
Until next week...
~Kathryn
The Society of Children’s Book Writers and Illustrators is running its BookStop promotion until December 5th! I've got pages up for all three Class Critters books. You can check them out here:
Chances are, if you're a regular reader of this newsletter, you have already bought a book or two...but if you're so inclined, you could share these BookStop links with your friends and family! You can also leave a comment in the Guest Book on each page, to tell anyone who browses the BookStop how great the Class Critters kids are.
We're launching into holiday gift-giving season, and BOOKS are one of the best gifts any kid can receive!
What I'm:
Reading: As promised last week, I'm reading the third American Royals book, Rivals. (To be honest, I've been too busy to do a ton of reading this week, so I'm not very far into it! But that has nothing to do with the quality of the book.)
Watching: "Floor is Lava" inexplicably has a third season on Netflix. Even more inexplicably...my husband and I have already blazed through it. ;)
Dancing to: Who remembers Ray LaMontagne's peak in the 2000s? My dance teacher brought another blast from the past (i.e. my mid-20s...) into class this week by setting choreography to "Duet," sung by Rachel Yamagata and LaMontagne. I definitely felt some feelings to this song circa 2008...
Loving: It finally feels like fall!